As for the Love remixes. As Giles Martin pointed out during the recent presentation at Power Station at BerkleeNYC Studios, the recording process here differed from that of previous Beatles albums. Pepper' for a new generation of listeners. The assignment included a surround sound mix. Discover all Giles Martin's music connections, watch videos, listen to music, discuss and download. I haven't played mine yet but can't wait. The legendary producer, who turned 81 in January, had in fact gone into retirement, but the thought of returning to the Beatles' masters proved too tantalising a prospect. The Giles Martin re-imagined White Album remixes, along with Giles’ voice and mannerisms, make listening to the White Album the same…but very different. But I think we're going to get them compressed. Ugh! Last year, I had the opportunity to compare my old vinyl pressing of the White Album, the 2009 vinyl remaster, and the Giles Martin remix on … Though here it's more likely the EQ was Mr. Martin's choice. He is the son of Beatles producer George Martin and half-brother of actor Gregory Paul Martin. Pepper’s Lonely Hearts Club Band. Highs are crisp without mid-range glare or sibilance separation and sound stage excellent. Sweet strings and Harpsichord engulf us as the song builds. Giles Martin on remixing The Beatles' A Hard Day's Night. This was one I bought for my bro to play on the Pro-Ject Elemental I bought him. Two final points: I'd rather hear this version of 1 than the thin, bright, unpleasant original two LP set, and while for the most part I still prefer the original mixes, misguided panning and all, these mixes alway surprise in the best sense of the word as the younger Mr. Martin consistently manages to pull subtle musical surprises out of his mixing bag of tricks, leaving you to wonder if he did it using the fader or the EQ knob or both. The album, in effect the last by The Beatles, is known by all as one of the best ever, with the fab four still very much in their prime, but what does the 5.1 mix add to the equation? I'd actually like to hear a remix of the entire Beatles catalog - but without the added volume compression, please. . George Martin … We also know that up through Sgt. This is a series of 5 videos produced for Avid, Giles Martin the award-winning music producer, composer and arranger in his own right, as well as the son of the legendary 5th Beatle and producer Sir George Martin, talks about what it takes to be a producer, working on a Cirque du Soleil and Beatles spectacular, remixing The Beatles, working on the Grammy-award winning documentary … I think if you redo a stereo mix from the sixties, the main focus should be on fixing panning problems in order to create a better stereo mix. Although pristine they suck as well. The Red and Blue set I own is from the 70's on Apple, an early pressing from 1973/4. Cut Giles hands and ears off for Christ's sake. Is that the same as the "wear a Hawaiian shirt and tuck it into your pants" brigade? For that project he was mixing, mashing and using his imagination to paint Beatles onto a blank palette. http://www.analogplanet.com/content/beatles-red-and-blue-album-reissues-... Michael, how about a review of the AAA Red and Blue albums? The anxiety from fans was perhaps that Martin could have gotten trigger-happy and experimented a little too much with the mix. The vinyl is thick for the time it was pressed, the mix is great being in stereo and American, and the overall packaging and quality superb. For instance, "Something" from Abbey Road sounds too dark and thick for my tastes, but maybe not yours. “Yeah, and that’s something I asked them to change. New mix by Giles Martin and Sam OKell. He succeeded. Not a big Beatles fan myself but this does sound interesting. Martin quipped to a BBC reporter last year: "And you have what I call the socks and sandals brigade saying: 'The only way to listen to Sgt Pepper's is in mono.' Giles Martin feels the pressure when working with Beatles material. Pepper's Lonely Hearts Club Band the group and the producer paid full attention to the mono mixes and left the stereo mixes to others. The mixes don't try to re-imagine the songs "Love"-like. Remix Sgt. Discover all Giles Martin's music connections, watch videos, listen to music, discuss and download. A very similar pressing by Optimal Media GmbH, as differentiated by the deadwax runouts, can be found here Abbey Road. In October 2018, Martin was appointed by Universal Music Group to the global role of Head of Audio & Sound, based at Abbey Road Studios. Giles Martin even spoke of some of the adjustments he had to make to stay relatively true to the original recordings; “Now, modern-day recordings, they have all drums in the center, because they sound stronger. And I Love Her was a semitone down. "RIP Stan Ricker and Thank You" he scribed into the inner groove area. and It Was 50 Years Ago Today . Giles Martin is the man who made you re-meet the Beatles, through his "Love" mashups and "Sgt. This works better on some tunes than on others. In 1995, he was appointed music co-director for the television and radio music countdown show, The Great Music Experience. In a beautiful example of music being passed through the generations, it was Giles Martin, son of the legendary producer George Martin, who was given all the tools to play with a 360-degree sound field. But these remixes should only be released with the video. But I just grabbed the BluRay for myself as, well, it's digital anyway. There was always a chance that playing with the magic of these 60’s recordings, the surround sound mix would not do this piece of legendary history justice. John Lennon once said - only half seriously - that "Ticket to Ride" was the first heavy metal song. If you're of a certain age, these songs are hard-wired into your brain, so that any changes jar. Worse? Then they had the same thing in the Mirage in Vegas. If ya dont like the idea of this remix, just get the Red & Blue albums. The Love auditorium boasts 360-degree sound through 8000 speakers. “Come Together” has always been one of the great album openers, and the subtle tweaks, bringing some percussive elements from the rear channels, turn this into an early highlight of the album, but Martin is still easing us in. .) Music re-mixes may not be as complicated or as critical as brain surgery but when it comes to The Beatles, you could make the case. Haven't heard/seen the Blu-Ray. And now, in the third installment of the Best Pressing Shootout series, I move from the painfully obscure to the glaringly obvious.. At least I don’t need to explain this album to you. Our primary goal is insightful discussion of equipment, sources, music, and audio concepts. To Giles Martin’s credit, the "Abbey Road" remixes elevate these enduring qualities in both the new versions of the songs and the outtakes. So why do it? r/audiophile is a subreddit for the pursuit of quality audio reproduction of all forms, budgets, and sizes of speakers. Barcode and Other Identifiers. A very similar pressing by Optimal Media GmbH, as differentiated by the deadwax runouts, can be found here Abbey Road Instead, Mr. Martin re-mixed the hard left/right of the early 'stereo' songs to near-mono, which makes complete sense. I'd previously covered the Blu-ray. The packaging is outstanding and includes nicely reproduced 45rpm single sleeves from around the world, many of which you may never have before seen. I have 1's from the 2000's and find it better than average in listen-ability. Glad I waited till this edition to purchase 1. The point was a re-mix to go with the videos. Even on the 2009 Mono CD the "heavy metal" aspect of the song comes across - not here. I like the mixes he's done. Instead he set up big speakers in an Abbey Road studio and using the original microphones, recorded the songs being played back through the speakers, but with the microphones aimed at the studio walls not at the speakers. Giles Martin was tasked with producing the music for The Beatles Cirque du Soleil show that's still running in Las Vegas at The Mirage Hotel and if you've not seen it and you are a Beatles fan, you must—and more than once! Hearing them in a new perspective is a thrill for almost any music fan. Don't forget the Richard Avedon photo's which are included. Somebody take away his keys - he's not fit to drive the Beatles catalog. 1) Giles Martin for a really sympathetic and beautiful mix. The Abbey Road 2019 remix by Giles Martin is excellent, but if there’s a Beatles album that didn’t really need remixing, this is it. The digits still destroy the 'breath of life'. Stream and download in Hi-Res on Qobuz.com At least one of those will come out, probably next autumn, I would assume. “The End” is a fitting finale, with huge drum sounds and choral harmonies punctuating the end of the album. Giles Martin details the Beatles' remasters that make you 'feel closer to the band than you ever did before' this link is to an external site that may or may not meet accessibility guidelines. Martin has achieved the overall goal of not messing too much with your head in the macro-sense, but he definitely makes micro-moves that produce subtle "brain-rewiring" without disturbing or jarring your long held Beatles sensibilities. Today (April 28th, 2017) at The World of McIntosh Townhouse Producer Giles Martin Introduced his new "Sgt. Giles Martin remixes Abbey Road The posted clip of Something tells me everything I need to know. I loved it but it was less of the Beatles and more of a collection of songs from 4 artists, John, Paul, George and Ringo. In previous content on the earlier remixes (answer to What is your review of the Beatles' White Album 2018 remix?, How are the new Beatles White Album new mixes different from the originals? The songwriting and musical importance of this album don’t need to be discussed once more. For DVD and Blue Ray hi-res releases, they should have included the remaster without the added volume compression. Less compressed? McCartney, for instance, has done this with some of his solo albums - CD and mp3 releases are much more highly volume compressed than the hi-res download. If you have the Mono/Stereo reissues of the REAL deal, then what is the point of this LP? Even though on the original it's the last of seven songs on the side, the original kills the new version in terms of spaciousness, stage width and depth, dynamics and of course transparency. Jun 5, 2017 - Giles Martin, Sound Experience Leader at Sonos and son of George Martin, producer of the original recordings, remixes Sgt. “Her Majesty” is something of a bonus track, and has a gentle, playful feel to it, but you already knew that…These remixes are potentially fraught with danger. Somebody take away his keys - he's not fit to drive the Beatles catalog. In a beautiful example of music being passed through the generations, it was Giles Martin, son of the legendary producer George Martin, who was given all the tools to play with a 360-degree sound field. Ben is a writer and musician from the UK with a background in music technology. Giles Martin remixes Abbey Road The posted clip of Something tells me everything I need to know. Giles Martin was tasked with producing the music for The Beatles Cirque du Soleil show that's still running in Las Vegas at The Mirage Hotel and if you've not seen it and you are a Beatles fan, you must—and more than once! I had hand-recognition systems to go into my room because of the security around the Beatles' drives." Provided they didn't re-engineer, re-master, re-,EQ, cut the lacquer from digital files or any of that nonsense, it should be a sonic tour de force. Since then, Giles has helmed the production and remix of the 50th anniversary version of The Beatles iconic White Album, variously described as ‘revelatory’ (Rolling Stone) and ‘magnificent’ (Forbes). And what is the benefit to half-speed mastering a digital file? He writes about engineering and production, musicianship and music equipment for a number of publications including his own site, subreel.com, Get Immersive Audio Album News & Sample Tracks. There is a great balance struck on this master, with plenty of subtlety in the use of the Dolby Atmos 5.1 mix. Watching and listening on a home theater was/is an eye and ear opening experience. US Release of 50th Anniversary Edition (Single LP) on 180 gram vinyl. In previous content on the earlier remixes (answer to What is your review of the Beatles' White Album 2018 remix?, How are the new Beatles White Album new mixes different from the originals? He succeeded. Let's be honest: the vinyl version is of secondary concern in all of this. Compare "Ticket to Ride" here with an original U.K. original pressing. Giles Martin - Samples, Covers and Remixes on WhoSampled. Offering a fresh sonic spin on an all-time classic, Giles Martin remixes 'Sgt. If you want to quickly know if you’re going to like Giles Martin’s The Beatles remixes start with “Long, Long, Long”. There will be plenty of comment on this topic so I'll keep mine brief - it's a gorgeous blend of leaving instrument EQ pretty much as was but with subtle, effective changes to presentation. These are my go-to collections when I want to listen to the Beatles in their glory, without pulling out multiple Lp's. Pepper’ – Variety ...I quite enjoyed this new 2LP reissue. The funny thing is, as much as I loved Stan and many of his cuts, he was a bass player and sometimes overdid the bass. As the 50th anniversary approached of the 1967 release of Sgt. Shame on Paul, Ringo and the widows. In certain songs, the mix gives subtle and modest enhancements. And then there's the all-important context: record labels need something to sell. My guest, Giles Martin, produced that remix and oversaw this entire anniversary project. Better? Since I already have the new mixes on bluray in hi-res, is there any point to buying this LP? Producer Giles Martin wasn’t even born when his famous Beatles’ producing father, George aka The Fifth Beatle, wrestled with The Fab Four while making their… Best Pressing Shootout: Abbey Road — 1981 Blue Box vs. 2009 Remaster vs. 2019 Giles Martin Remix. Because the original tapes are in pristine condition we can. "Yesterday" has a pleasing clarity and the added bass gives the strings a rich, woody sheen, especially the celli but as with every song here, some transparency is lost, the bass EQ is somewhat heavily applied especially if you have a full-range system (though whatever your system you'll love the kick drum on "Yellow Submarine") and Mr. Martin has definitely applied dynamic compression. So it made sense that he … In the end, you come away admiring Martin's steady but understated hand, but more than that, you'll find new appreciation for every song, even if, like me, you are somewhat disappointed by the dynamic compression and perhaps overdone bass. Explore releases from Giles Martin at Discogs. Giles Martin grew up without much awareness of The Beatles, and was discouraged by his father from pursuing a career in music lest the inevitable comparisons should be made between father and son. Fifty years after the original album’s release, Martin’s son Giles, along with mix engineer Sam Okell, have done something different. The project also marked the first collaboration between George Martin and his son Giles. He writes about engineering and production, musicianship and music equipment for a number of publications including his own site. Engineered by: Norman Smith, Geoff Emerick, Ken Scott, Eddie Kramer, Glyn Johns, others, Mastered by: Miles Showell 1/2 speed mastered at Abbey Road. When I was working on the Martin Scorsese-George Harrison film, I noticed it. There are some incredible highlights of the surround sound mix that give you a new appreciation of the songs. Last year, I had the opportunity to compare my old vinyl pressing of the White Album, the 2009 vinyl remaster, and the Giles Martin remix on … But this version totally loses the feel of the song - all the power is gone. Well of course we do, (most of us not wearing socks and sandals) but we also understand his point. Many albums are getting the 5.1 treatment in the modern age, and the 50th anniversary of this classic brought both excitement and fear to Beatles fans. Go away Giles. We needn’t have been worried. Why mess with perfection? The Love thing didn't do much for me either until I saw the show. Here's Mikey's blu-ray review: http://www.analogplanet.com/content/beatles-1-packs-visual-and-sonic-pun... Like the previous vinyl version, it might be worth picking up just for the presentation. Martin also added reverb not found on the originals. I read that the mixes of the songs in the film were slower than the album versions. In other aspects of the album, the impact is jaw-dropping, leaving us with a tantalizing taste of what could have been should The Beatles have continued to make music together. So he produced stereo remixes that better spatially integrate the movable elements and he re-equalized the results, giving the bottom end far more weight and solidity than was found on the originals. and It Was 50 Years Ago Today . Pepper" album. The pressings are quiet and well done on all 4 albums. It's basically an homage to the "White Album," or so it seems to me: Gatefold, four portraits & poster. Giles Martin should not be allowed to revise the holy grail. Sonic's are decent, low end grunt is there but (gasp) some tracks beg for the bass knob to be twisted slightly clockwise or (gawd forbid), the sub gain turned clockwise should you have such a thing on your 2 channel rig. Not as a standalone album. If not it will be here soon. His studio recordings, stage shows, TV and film works have been critically acclaimed and commercially successful around the globe. Search under "Beatles". It also sounds as if he's tamped down some high end sparkle to produce a richer midrange. I haven’t read the thread but this is a guess: The Giles Martin bashing has already begun. The horns, strings and swells are the best example on Abbey Road of a newly three-dimensional sound. For that project he was mixing, mashing and using his imagination to paint Beatles onto a blank palette. "It's trashy and visceral," says Giles Martin after remixing The Beatles' longest, most confounding album. https://www.culturesonar.com/the-white-album-digging-into-the-remix-part-1 Are your sound quality comments regarding the new 2-LP version, or the BluRay/DVD version...or both? Why was that? The album was recorded on new equipment with eight tracks instead of four. Of course, if they did do any of the above on the new 1962-1966 & 1967-1970 coloured pressings, then lord help us all and someone should be shot. Listen to Happiness (Andrey Exx Remix) by Gilles Martin, 1,640 Shazams. I did enjoy the mixes on the Blu-ray. Maybe a tad more polite than the original on harder tracks but lots more air and detail. The Abbey Road “remix” was always in capable hands. I drive to Las Vegas every three months or so now from CA Central Coast, just to experience the show again. However, McCartney's bass line definitely flaps your pants legs as never before. Giles Martin (above), son of Sir George and the man behind the new remix, said the answer is simple. The no talent inherited his job from daddy. And George Martins remixes in the 80’s will also be thrashed. Barcode (Scanned): 602577915123Barcode (Text): 6 02577 91512 3Matrix / … Giles Martin is the son of George Martin, who originally produced and mixed the album. The digital versions are a 24/96 rip of the Giles Martin remix and a 16/44 rip of the 2009 remaster, which is based on the same mix as the Blue Box and 1983 Canadian pressing. The drums need to be slightly to one side — they need to be slightly off-kilter, if you like — in order to make it sound cool.”. He worked on the Party at the Palace concert to celebrate Queen Elizabeth II's Golden Jubilee Pure Shite. It was like walking into the Giles and George Martin museum. “Because” is another highlight, with vocal harmonies somehow made even richer than we have come to know and love in stereo. Miles Showell cut 1/2 speed and on side 4 pays tribute to the master of the 1/2 speed cut, Mr. Stan Ricker. I never knew what he meant until I heard the mono version - there you can hear that he wasn't making just an empty boast. Access to the vaults of the Beatles recordings must be the holy grail for some producers. I like the remixes, except for the added volume compression. Ben is a writer and musician from the UK with a background in music technology. Pepper’s Lonely Hearts Club Band Apple Corps and its president Jeff Jones set about deciding how best to mark the occasion (or not).. The result was higher quality audio than previous Beatles albums. The next few tracks on the album feel enriched, with a different vibe, but it isn’t until the 5.1 mix of “I Want You (She’s So Heavy)” that we see the stereo field in full glory, with rear speakers enriching the amplifier sound and freshly-prominent Organ tone. Ugh! But Ron Furmanek is the holy cow whose mixing choices can not in any way way be questioned. plenty of low end grunt with the tone controls either out or neutral, same applies to the sub. I probably wouldn't have the urge to listen to it much and I'm a huge Fab Four Fan. The reviews were not positive when, for the first CD issue, George Martin remixed Help and Rubber Soul to correct some glaring panning mistakes and to "modernize" the stereo imagery. Giles Martin - Samples, Covers and Remixes on WhoSampled. I just don't like the dynamic compression and to a lesser degree the amount of bass boost. listening to the included audio-only cd did not raise any enthusiasm for the new mixes sans video. To me the Hollies nineties' remixes are better than Giles Martin's and Sam Okell's mixes because the mixing was more true to the sixties. He's the son of George Martin, who produced the original "Sgt. DJ Danger Mouse does a better mash up.. To be honest, they're probably right, but no-one does that any more.". So called "audiophile" releases aren't intended for the earbud market,so they should have a higher quality release. And actually we did that with “Come Together,” and then we realized it that it didn’t sound as good. Few fans were happy with them and they were even less happy when those same CD resolution mixes were used again for the box set that was otherwise sourced from 192/24 bit flat transfers and then "dumbed down". The Abbey Road “remix” was always in capable hands. The Love remix was understandable as to why they did it - it's for a stage show. Maybe you can have a special 12 just for Beatles reviews? As we accelerate through the medley-style of the album, “Polythene Pam” brings newly vibrant vocal harmonies, “She Came In Through the Bathroom Window” subtly boosts percussion, but it is “Golden Slumbers” that is arguably the sweetest of all the mixes. However, Giles carried on, first playing in the band Velvet Jones, then writing jingles in college. The credits are also unusually complete with recording release dates as well as engineering credits for each song. Three times so far. What Martin has done here is sort of split the difference between the mono and original stereo, maintaining separation but also incorporating the mono's "crunch" and solidity. ALso don't care for the result sonically. Access to the vaults of the Beatles recordings must be the holy grail for some producers. Giles Martin in Abbey Road Studios Giles Martin on remixing The Beatles' A Hard Day's Night It is amazing to consider how quickly The Beatles and your father worked. and forget about this new vinyl set. Happiness (The Remixes) | Martin Gil. In that context, Love is the cat's pajamas. . Pepper's Lonely Hearts Club Band, 50 years after the album's original release? There will be a remix and box set of Abbey Road and the Get Back/Let It Be sessions. Pepper" and White Album remixes. New mix by Giles Martin and Sam OKell. Giles Martin Talks Remixing the Beatles’ ‘Sgt. Giles Martin’s latest title, as confirmed in an October 2018 announcement, is Head Of Audio & Sound At Universal Music Group. Be discussed once more. `` us not wearing socks and sandals but! 2009 Mono CD the `` wear a Hawaiian shirt and tuck it into your pants '' brigade //www.analogplanet.com/content/beatles-red-and-blue-album-reissues-. 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