It pummels along like a march until Sergeant D comes up fast and evil to kick your ass. The sticker in the corner brightly silver indicates the 30th anniversary of the album. In addition, Milano’s voice also shapes the sound. MRI 1269; Vinyl LP). After one demo (recorded on a walkman) they recorded Speak English or Die in Anthrax’s studio. Production is simple but effective. Yet due to whatever reason, even Ian Stuart, a well-established person of the mainstream business, never had to justify himself for this bullshit. MRI 1269; Vinyl LP). Pussy Whipped is another example of a potential wonderful thrash song. Sometimes the groovy riffs do merge into one another but this does not detract from the album. And that’s just the beginning. S.O.D. Classic album reissue at a great price. Please try again. And to think it was only a joke…. Fans of Vio-lence, Overkill, and Anthrax will probably think it’s good-awesome. These seemingly crazy dudes offered the most outrageous mix of hardcore, metal and political incorrectness ever. “Speak English or Die” was this well-known once-in-a-lifetime record, even though it took a certain time to realise the perfection of the noisy song collection. Milano mosh, Sergeant D and the S.O.D, Kill Yourself and Pi Alpha Nu are all rapid, short but gripping songs that manage to maintain enough groove to keep the listener captivated in this otherwise ridiculous album that is hard to get into at first. got together, yaddada yaddada, so let's us concentrate on the music. Milano's delivery is typical of hardcore bands at the time (read: shouting), but the lyrics are of uncommon hilarity. referencing Speak English Or Die, LP, Bro + LP, Gre + Album, RE, MEGA3030 There is also a double lp gold vinyl version i have seen before. Pre-Menstrual Princess Blues is another comedy-based track with some of the best lyricism on the entire album, and by best, I mean funniest. is a joke band, their players still take the music seriously, and aren't scared to delve into unexplored territory rather than just rushing through song after song, going 200bpm and throwing all potential of dynamic alterations out of the window. If you have no sense of humor though don't get Speak English Or Die, you'll only be offended. This is a good album, and i think that every speed/thrash maniacs could eventually try to grab this album but, although being very heavy and somewhat funny, those middle section songs just don´t make it enough to consider this an "essential" record. Still, Speak English or Die left an undeniable mark on music, and is still appreciated by many to this day, which is pretty impressive for a band that basically started out as a way to kill some time. This makes these songs still stand firm after all these years. If you're offended, it's a good thing. (A very special form of perfection, indeed.) A milestone in metal and crossover history. Album: Speak Engligh Or Die! Crossover, thrash metal, death metal, crust punk, this record had it all, and deserves way more recognition than it received. By the way, it’s a pretty crude one with an enormous surplus of boys, but in the absence of better opportunities, they accept their destiny manfully. Our payment security system encrypts your information during transmission. Seriously, this record came out a year earlier and was much faster, much more brutal and paved the way for not just one, but an entire subsection of metal music. Holy shit, Chromatic Death must be the best 43 second song I’ve ever heard. Why not add your own? The last 3 songs on the album are are less than 10 seconds long each, including the cruel but humorous "Ballad of Jimi Hendrix", starting out playing a riff of "Purple Haze" before announcing that "You're dead!". Nice fuckin accent Why can't you speak like me? "Milk" starts out very sludgy which is a nice change of pace, but then it suddenly erupts into the fastest song on the record, it's moments like these that make this album worthwhile, it is evident that the band wasn't trying to impress a certain group and they weren't afraid to take chances regardless of whether the album was a joke or not. United Forces has a nice little solo. We can look back now and say Scott Ian and Charlie Benante are far from the gods they once were but in those days they were two of the tightest thrashers around and Scott Ian in that period did not only write most on the Anthrax classic “Spreading The Disease” but also managed to write most of this classic album together with Dan Lilker. But hey, it's not all offensive! Winston Churchill once said “The best argument against democracy is a five minute conversation with the average voter”. The lyrics of his later outputs proved that fat Billy’s political attitude and his general mindset are questionable, to express it politely. With such noteworthy courses as dismemberment 101, tasteless humor lab, and piss off feminists workshop, one can’t help but bang his head in utter euphoria at how this album earns its B.S. Sargent D-day - … In just under 30 minutes, the band play a string of fast, heavy hardcore jams whilst Milano screams and shouts about a large variety of stuff. Fuck the Middle East is a 20 second slab of gutbusting metal along with a side of lyrical content that promises to offend. A few minutes later we were sitting in front of the speakers and in my face was exactly the same crazy grin that the brother already had shown when welcoming me. As to be expected Benante's drumming is top notch and completely unrestrained compared to his work in Anthrax. That opening guitar riff, sort of similar to Megadeth’s Rattlehead is fucking brutal. Submit lyrics correction → 55k Like. did. It is Speak English Or Die. Speak English Or Die contains some excellent, heavy riffs, and during this riff-fest the bassist Dan Lilker has his fair time to shine as well. Despite all of the lightheartedness the record shows, do not be detoured it is still very crushing and heavy, just not in the typical "I'm gonna slit yer guts" kind of way. One can’t also help but laugh hysterically at S.O.D. Dan abuses his bassguitar but manages to incorporate some nice breaks to stand out. Personally, I'd say that these songs make the album even better if you're listening to it all the way through, as it feels like an experience of thrash, war, moshing, and fucked up humour, and these tracks do nothing to hurt any of these aspects that the record sticks to, Speak English or Die (Live in Tokyo) 27. Real bargain! I suspect there is a Kerry King guitar solo on their too, but someone will have to confirm that! It was recorded in the same session as thrash metal band Anthrax’s Spreading the Disease. Once this happens, it becomes much easier to laugh your ass off at all the zaniness found on “Speak English Or Die”, “Pre-Menstrual Princess Blues” and “Fuck The Middle East”. Okay, rhymes with tits/shit/clits are surely “interesting”, no doubt at all. I don’t review albums by Britney Spears simply because I don’t get that music. From the 'It's everyone's favourite riff' crunch of 'March of The S.O.D' onward it's a hybrid of - ahem - 'mosh' riffs combined with some still pretty speedy thrash sections. It's an album one should have listened to once in a lifetime but nothing you would like to listen to more than only once in a while when the moment has come to lose yourself in a pitiless mosh pit. I know I said I shouldn't base a score of something like that, but in the end, the album is highly enjoyable, which is all that really matters, so I lied, the album earns a B+ on the the whole. Sure, Milano lacks Kurt Brecht's ear for scathing social satire, but it's not the fucking point. I really don't care if it was the band's intention to just make a stupidly fun record, because if I were to rate music based on if it sounds like what the band wanted it to sound like, everything would have a perfect score! Speak English Or Die listed as SEOD Looking for abbreviations of SEOD? Indeed one of the key elements of crossover was often politically incorrect yet humorous lyrics designed to offend those who came across them. This album is way up there with the crossover masterpieces “How Will I Laugh Tomorrow” (Suicidal Tendencies), “Crossover” (D.R.I. Either way, onto the music. Nine, no, ten out of ten riffs take the shortest way into the listener’s long-term memory. The band can't seem if they are in the studio for some lighthearted fun or thrashing listeners' balls off. Persistence Of Time (30th Anniversary Edition). The bass being audible gives this album a great groove to headbang to and thickens the sound a great deal. Speak English or Die is the first album by crossover thrash band S.O.D. One of the only complaints I have about the album is the fact that most of the songs are barely over of under a minute. Listen free to S.O.D. It's legendary. Simple! The songs are fast and short, but without the well-defined boundaries of say...DRI or Nuclear Assault's output. LP Record CDN$22.16 Dealing With It (Their Second Album) (Vinyl) by D.R.I. Sheer fun! Even in songs that are more driven in terms of structure and hooks, such as Pussy Whipped and Douche Crew, this formula is still used, and every second is brilliant. Rated #83 in the best albums of 1985, and #5666 of all-time album.. It starts off with "March of the S.O.D. “What’s The Noise” is an all out laugh fest as Milano loses his cool and cusses everyone out after repeated tape scratching sounds, all but redefining the concept of studio antics in a time where we thankfully weren’t subject to the gay version of it that Limp Bizkit would subject us to, which they likely stole from here. II (Live in Tokyo) 32. so far there are 2 versions. Thus, this classic shares the destiny of Terrorizer’s debut. Don't take it seriously, it's not meant to be anything more than heavy, fast, and funny. Well, at least it's accurate. Released 30 August 1985 on Megaforce (catalog no. If the music is fun, that's great, but if it comes off as little more than a poorly written joke, it gets in the way of the enjoyment of the album. They're small..... and they don't give a SHIT! The 30th-anniversary edition of STROMTROOPERS OF DEATH's classic debut album, "Speak English Or Die", will be made available on November 27 via Megaforce. The song structures and lengths are all quite alike and the record only focuses on its nasty lyrics. SPEAK ENGLISH OR…. "March Of The S.O.D." "The Ballad Of Jimi Hendrix" and "Diamonds and Rust" utilise Billy's bombastic vocals and give the album a comedic twist. Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.fm. What happens when a soon to be influential thrash metal band finishes recording their second album and they have spare studio time? $27.99 For those who missed out, pick up your copy of Gimme's exclusive variant of S.O.D. Yes, S.O.D. It is Speak English Or Die. This must be shit. Musically, we have a mixture of hardcore punk with some thrash and speed metal bits which may have been a rather original crossover fusion back in the time but after three tracks, everything sounds the same and the experiment isn't quite interesting to observe anymore as everything has already happened. …and the answer is that there are not many albums with a unique selling point, but “Speak English or Die” is one of them. it is their politically incorrect lyrical themes, hence the title of the album for instance "Speak English Or Die". Just take a look on the hilarious cover artwork by guitarist Scott Ian. It's pretty damn hilarious. "The Ballad of Jimi Hendrix" is hilarious, the guitarist plays the first three seconds of "Purple Haze" then Milano just yells "You're dead" with such a tone that words cannot describe. At the forefront of the burgeoning crossover scene, founded by the likes of hardcore stalwarts DRI and COC, the Stormtroopers of Death opted for a slightly different route than their more politically-minded brethren. So if you don’t get S.O.D., just shut the fuck up. The best thing from a musical point of view is the solid and diversified bass play and the precise drumming. Fast delivery. played real crossover even before D.R.I. "Milk" is a song about running out of milk and having to cope with it until your mother buys more. Perialas really knew his stuff--Carnivore's "Retaliation" comes to mind as another good 'un he produced--Scott's guitar is like a chainsaw, with Danny's eeeevil grinding bass backing it up in spades, and the drum sound is perfect for this band's approach. 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